For years, the hottest spot in the city of
Vancouver for contemporary art was a 10-block span from 6th to 16th, on
Granville Street. This area was known commonly as Gallery Row. Only a few years
ago it contained the highest concentration of art and antique galleries in
Western Canada. But times are changing and the private art galleries are moving
east.
Main Street is now becoming the center of the
privatized art world in Vancouver. It has lower taxes, larger spaces for rent
and is closer to many of the studios used by the artists themselves.
Gallery owners on Granville Street have been
hit by huge property tax increases, due to staggering spikes in property
values. Renters are also feeling the pinch, as landlords are forced to race
rent prices to offset the tax hike.
With lower taxes, Main Street offers financial
relief for gallery owners determined to show emerging artists, instead of the
works of stable, established artists.
The properties being snatched up by the
galleries moving to Main are much more conducive to large showings as well.
With higher ceilings, larger doors and more creative spaces, dealers feel that
the new Main properties are better suited for showcasing contemporary works.
Jennifer Winsor, the owner and operator of the
Winsor gallery made the move to Main Street in December. "We have a space
that's comparable in size to what we had on Granville," she claims,
"but it's a better combination of warehousing and exhibit space. It just
works better, from all points of view."
And it's not just the interior space that is
attractive. "Parking was always an issue on Granville; we don't have that
problem here."
Monte Clark is the latest to leave Granville
for Main, moving to Great Northern Way in January. Before him, Elliot Louis
made the switch and before him, the pioneer of the movement, Catriona Jeffries
relocated to the South Main area in 2006.
With the influx of high-end art to the area, it
won't be long before Main Street is attracting the same upscale residents seen
in the South Granville area. This attraction could create a cyclical effect,
once again forcing the galleries to move further east.
The benefit for homeowners is the spike in property value. The
galleries, like those in New York, might need to play musical chairs, moving
from district to district, but if the Big Apple is any example, each burrow
they touch will turn to gold for property owners.
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